My Gear
The extension of my eye, so that I never miss a moment.
A good photographer doesn’t need the latest fashionable camera. What matters is the moment, and that’s what I focus on.
Cameras and lenses should be an extension of my eye. I need complete confidence in my equipment: on the day of the shoot, no malfunctions are allowed.
As in audio, the quality of the entire system is the weakest link. Therefore, I work with high-end equipment that is regularly updated, up to the memory card.
boxes on me, one in case of emergency
completely silent shutter
light and discreet optics
Enclosures: Sony Alpha 1. Originally a Nikonist, I switched to the Sony hybrid in 2017. Incredible autofocus precision, controlled low light, and above all, absolute silence to remain completely discreet.
Wedding optics: compact and bright fixed focal lengths, most often 24 mm and 50 mm (Sony or Sigma), an 85 mm when distance is required, and a 15 mm on the dance floor.
Light: a few Godox flashes controlled remotely with MagMod modulators, for certain evenings.
One more constraint is imposed: safety. Therefore, I use very bright zooms, 24-70, 100-400, or even 12-24, which are incredibly effective.
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